Ebb and Flow
A series of installations created collaboratively and individually by Megan Singleton and May Babcock. Ebb and Flow is based on research into dendritic waterways and plants found in local landscapes. The geomorphology and plant ecologies of the area are the inspiration for the installation of handmade paper, in not only how it shapes space, but also in the imagery and paper pulp used. As both site-specific and place-based installations, unique iterations of Ebb and Flow have been installed in both gallery and public spaces across the country.
Ebb and Flow, Megan Singleton and May Babcock, Handmade Paper Pulp from Mississippi River Mud, Abaca, Cotton, American Lotus, 25 ft x 12ft, 2016.
Installed at the Springfield Art Association M.G. Nelson Family Gallery, Springfield, IL. Based on watershed maps of the Missouri, Mississippi, and Blackstone Rivers, and incorporating Mississippi River Mud and American Lotus.
Ebb and Flow II, Megan Singleton and May Babcock, Handmade Paper Pulp from Abaca, Cotton, Japanese Knotweed, Phragmites australis, Eurasian water-milfoil, Variable Milfoil, Inflated Bladderwort, Codium fragile, Heterosiphonia japonica, laser-cut handmade paper, 20ft x 14ft, 2017
Ebb and Flow V, May Babcock, Handmade paper from linen rag, abaca, variable milfoil, common reed, Japanese knotweed, pigments, river sediment, 40’ x 14’ x 6”, 2018. Exhibited at Machines with Magnets Gallery in Pawtucket, RI.
A response to the nearby Blackstone River watershed area, its industrial textile history, plant ecologies, and current status. I began by researching the areas history and visiting 7 different dam sites along the river where I sketched, photographed, and collected shoreline sediment and non-native plant species. I used harvested plant fibers, sediment, and linen rag for pulp to create dendritic lines of dimensional paper. Directly related to Ebb and Flow V is a group of 24 circular handmade papers, Blackstone River Suite, which acts as a type of taxonomy of the installation and sites. Cyanotype prints with text and imagery identify dam sites, fibers, and plant species, while river mud papers and pulp paintings are explorations of the material.
A collaborative handmade paper triptych by Megan Singleton and May Babcock. Inspired by the confluence of the Missouri and Mississippi Rivers, and using materials gathered from the site, including river mud and maple roots.
Megan Singleton and May Babcock, Confluence, Handmade Paper Pulp from Mississippi River Mud, Sand, Abaca, Cotton, Maple Tree Roots, Triptych 8’ X 6‘, 2016